heavy metal hq
Rot is not meant to be a feel-good record, as its sludge metal drones with the ire of ones struggling to survive.
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Distorted Sound album review
There is a cathartic vibe flowing through the entirety of Rot and shows BELIEVE IN NOTHING baring their souls from start to finish and although it is quite an anguished listen, it feels cleansing to listen to and you can undoubtedly hear the band baring their souls intensely on Rot.
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noizze reality unfolds review
Spin-kicks gave way to doomy, slow, crushing riffs and disjointed noise. Methodical, intimidating, and provocative, this noise band knows exactly how to command attention.
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boolin tunes reality Unfolds live review
A sharp turn in sound and atmosphere landed with Believe In Nothing‘s set, contrasting the tightness and aggression of the day with sludge, doom and noise.
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out of rage reality unfolds live review
A fascinating live show that pulls the audience into proceedings, the band was spectacular, and need to be seen to be believed.
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noizze #19 best albums of the year
An oppressive and downright unpleasant record that unionises the misanthropy of Dragged Into Sunlight, the hostility of Nails and the inherent horror of Chat Pile, Rot is a putrid flow of noise-influenced sludge that’s just as darkly opaque as the future prospects of humanity should current trends continue.
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idioteq
Check out that claustrophobic, hand-over-the-mouth scream the review circles around, where societal failure becomes personal corrosion and every choice feels like doom on layaway.
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out of rage notts live review
Moving throughout the space, interacting in, and amongst the crowd, he licked and spat at walls, forcing the room to withstand his presence and strain against the discomfort, battling with that overwhelming need for compliance and the pretense of politeness.
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transcended best album
Rot drags you along with it, it pushes you in dark corners and absorbs the light surrounding you.
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gothic metal head albums of the year
As far as debuts go 𝗕𝗲𝗹𝗶𝗲𝘃𝗲 𝗜𝗻 𝗡𝗼𝘁𝗵𝗶𝗻𝗴 with 𝗥𝗼𝘁 have delivered one of the best this year. A mix of sludge and noise rock it's blistering, angry and demands your attention.
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pisd cast - song of the year
If Chat Pile’s “Why?” got your dander up, this one might even go that one better.
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musicpedia of metal
Plenty of albums are heavy, very few are suffocating, Rot from Eastbourne based Believe In Nothing is suffocating, a nihilistic world view coupled with a pain inducing noise wall where fear, loathing and contempt for modernity creates music that is there to be endured.
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boolin tunes - Nottingham
Believe in Nothing‘s debut record Rot is one of the most foul releases of the year.
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fudlip - edinburgh
However, the album doesn't really prepare you for the actuality of the live performance. Intense and brutal and really quite disturbing. I'm never sure how much is 'performance' and how much is deadly serious - both in equal measure, I suspect. Also, I reckon that hammers are NOT meant to go in THERE.
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moshville times review edinburgh
With this band only being formed last year, I’m excited to see and hear how they progress and grow; if this is what their earlier, lower budget shows have to offer then I can’t imagine what heart-wrenchingly artistic performances are to come.
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wolfbeard reviews
The combination of crushing riffs, noise-laden textures, and politically charged vocals makes these tracks not only standout moments on Rot but also rallying cries against systemic decay, embodying the album’s balance of discomfort and catharsis.
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the devils mouth / Andy from therapy
Played at a perfect pace throughout with a monstrous production this is as good an antidote to the shit-show of life in 2025 as you’re going to get. This is grey British skies, awful weather, violent nights out, despondency, hurt, loss, helplessness and anger.
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Kerrang
Knowing how to make listeners feel legitimately uncomfortable is an underappreciated skill in extreme music. It’s not about being heavier, weirder or more gleefully gruesome than the bands around you. Understanding the intricacies of making abrasive sound and harsh reality corkscrew listeners’ ears or cheese-grater under their skin is a subtler art. South Coast sludge collective Believe In Nothing nail it on this soul-scourging debut.
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transcended music
Rot is 42 minute debut of bleakness and viciousness. Believe in Nothing have bred a work of art that in all its ugliness is hard to ignore. Rot drags you along with it, it pushes you in dark corners and absorbs the light surrounding you. If you can stomach the aural hostility you are in for an enthralling experience that will surely be just the beginning of Believe in Nothing‘s journey.
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metal dispatch
Get ready to go to a bad place, where no amount of happy thoughts can shake the steadily increasing discomfort.
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Lee Killington reviews
It’s like sampling for a horror movie turned album. As a horror/metal fanatic, I am in awe of this album. From the eerie feel to the gut-churning screams, Believe In Nothing’s ‘Rot’ is a Noisey, Dishevelled masterpiece.
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Everything is noise
Here, I’ll make it easy for y’all: if you wish the likes of Chat Pile and Intercourse had a even sludgier edge to them, or perhaps were more British, just close the tab and go run through this album, you won’t regret it.
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wonderbox metal
...Believe in Nothing have crafted a journey into the abyss, a journey worth taking if this sort of nightmare darkness appeals. Delivered with passionate intensity, Rot is very, very good. Very highly recommended.
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Metal 1 (Germany) interview
[Believe In Nothing] ... have succeeded in a masterpiece of post-(sludge) metal. In an interview with Caine (vocals/noise) and string instrumentalist Steve Collier (guitar/bass) we get to the bottom of "rot" -
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metal 1 review
...where other bands want a lot, but can do little, BELIEVE IN NOTHING 2023 was founded as a side project to make music in DIY style - and the debut entitled "Rot" is such a perfected bit of hate as the world has not heard it for a long time.
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Believe In Nothing's metal is peppered with noise, sludge, doom, punk and even grindcore influences. The numbers are well put together
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no echo interview
Do you ever listen to something that makes you feel kinda sick? Hell, forget the music, even just looking too long at the artwork for Believe in Nothing’s debut full-length, Rot, is enough to turn a stomach or two.
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GAMES, BRRRAAAINS & A HEAD-BANGING LIFE
Crashing, smashing, and mashing, Believe in Nothing’s new single is a dark and wicked sounding track.
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Metal Noise
Masters of creating layers of cacophonous and erratic noise, overlaid with gruesome harsh vocals to build up a bleak atmosphere of dread, it’s not going to be one for the faint of heart or weak of mind.
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DIstorted Sound
“Fist Full Of Worms puts a microphone to the fractured and paranoid mind of a violent murderer, as they drag their latest tortured victim to be buried in the woods.”
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Metallair
The Eastbourne noise and sludge dealers, Believe In Nothing. has released the most intense single via Church Road Records.
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Noizze
‘Fist Full of Worms’ is a downright horrible experience that marries the mania of Chat Pile with the caustic nihilism of Full Of Hell and distils the final result via the obtuseness of Primitive Man
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Metal Sucks
Heavy and disruptive. Bringing you a slice of Black/noise metal goodness on this blissful Saturday afternoon, “Fistful Of Worms” is an annihilating tune with an industrial spin. The opening few seconds are a disorienting frenzy, but don’t worry, you find yourself in the chorus.
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GAMES, BRRRAAAINS & A HEAD-BANGING LIFE
It’s the kind of music that isn’t for everyone, but everyone who hears it will have an opinion on it.
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V13
Eastbourne’s Believe In Nothing drop their devastating new single through Church Road Records
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Noizze
The second single from Believe In Nothing, ‘Complete Devastation’ is essentially the soundtrack for the closing credits following the worst possible ending for humanity. Driven by the nihilism of Godflesh, flowing with the sludge of Chat Pile and channeling all the misery that’s festered amongst humanity in recent years, this single mirrors the hateful state of the world and our inevitable end as a species that will come because of it. It ain’t pretty, but ‘Complete Devastation’s’ release feels acutely timed.
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Metal Hammer/Louder Sound
Believe In Nothing's latest single Complete Desolation, a fitting title for a track that dives headlong into despairing, abyssal doom metal
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Boolin Tunes
“Complete Desolation” unites post hardcore and sludge to create something darkly British.
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noizze
Permeated in air of desperation and bounded by a bleak narrative that mirrors the work of Chat Pile, ‘What Would You Do?’ is the debut single from Believe In Nothing, a band that will no doubt be fawned over by fans of the sludgy Oklahoma band aforementioned.
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Idioteq
In the short time they’ve been active, Believe in Nothing have already carved out a cult following through a string of chaotic live shows. Their reputation for creating oppressive, viscerally emotional environments—both sonically and visually—is gaining momentum quickly.
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GAMES, BRRRAAAINS & A HEAD-BANGING LIFE
One of the darkest sounding tracks heard this year, Believe in Nothing has crafted something with distressed misery embedded within. The thick and moody instrumentals, delivered with power, and flaring up in dangerous fashion in places, is so impressive. However, when accompanied by vocals that are impossibly intense, this track becomes something truly special. It stays with you long afterwards.
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The Razors Edge
Believe In Nothing utilise layers of cacophonous and erratic noise, overlaid with gruesome harsh vocals to build up a bleak atmosphere of dread through both their on-record and live performances.
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Games Brrraaains And A Head-Banging Life
In the short space of time Believe In Nothing has been around, they’ve conjured up a lot of hype due to their intense and visceral live shows. They’re definitely going to be ones to watch in 2025.
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Hard Beat - Track Of The Day
The band say on the track, “The song ‘What Would You Do?’ is the first taste of the desperate and violent world we want to show. It’s a contemplation of public execution, humiliation and ultimately enjoying it.”
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Under The Radar
Opening with “Complete Desolation” they tore The Pipeline a new one. Adding a noise table to post-hardcore/metal isn’t anything new, but the way Believe in Nothing did it was interesting. Instead of making those motifs the focal point of each song, they drip feed the noise and distortion as and when. This meant that when needed to, the band could push the sound, and the audience, in a different direction.
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Hooked Lung Issue 1
Do you remember in Peep Show when Superhans is in the recording studio and says "what we need to do is create a powerful sense of dread", well Believe in Nothing have taken that to it's uncomfortable conclusion.
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